Chronology of Significant Compositions, Creative Collaborations and Arrangements 1993 - 2020

  • James, S. (2020). Alluvial Gold for percussion and electronics (commissioned by Louise Devenish and Erin Coates).
  • James, S. (2020). The Alluvium [soundtrack] for Coates, E. (2020). The Alluvium [film] for 1 video projection and stereo playback
  • James, S. (2020). counterpoise for flute, bass clarinet, viola, cello, chaotic oscillator and circuit bent toy (commissioned by Decibel New Music Ensemble as part of their 2 Minutes from Home project).
  • James, S. (2020). Score Version 1 for En'Coda based on songwriting by Tenille Bentley and January Kultura.
  • James, S. (2020). String, brass and vocal arrangements for ' ' by Roger Gomez.
  • James, S. (2019). String arrangements for ' ' by Tenille Bentley and January Kultura.
  • Devenish, L. & James, S. (2019). Percipience: After Kaul for 3 Overtone Triangles and electronics.
  • James, S. (2017). eliquescence | agglutination for Clocked Out and WAAPA Composer Orchestra
  • James, S. (2017). A Song for My Beloved for Sartory String Quartet and Piano
  • James, S. (2017). Quartic Attractor for Laptop, Projection, Lasers, and Quadraphonic Sound
  • James, S. (2017). Open Water [soundtrack] for Coates, E. & Nazzari, A. (2017). Open Water [film] for 1 video projection and stereo playback (Commissioned by Erin Coates and Anna Nazzari, and featuring performers Tristen Parr on cello and Eduardo Cossio on electric guitar)
  • James, S. (2016). Intervolver for 8 laptops and 8 loudspeakers (commissioned by the Western Australian Laptop Orchestra (WALO)).
  • James, S. (2016). Driving to the Ends of the Earth [soundtrack] for Coates, E. (2016). Driving to the Ends of the Earth [film] for 1 video projection and stereo playback (Commissioned by Erin Coates).
  • James, S. (2016). Particle III for solo laptop and 16.1 surround loudspeaker array.
  • James, S. (2016). Remembrance for piano, flute, clarinet, vibraphone, and live stereo electronics (commissioned by Decibel New Music Ensemble).
  • James, S. (2016). Operation Fortitude for 8 laptops and 8 loudspeakers (commissioned by the Western Australian Laptop Orchestra (WALO)).
  • James, S. (2016). The Phantom of a Dream for choir, trumpet, clarinet, violin, 2 electric guitars, percussion, and 4 laptop performers.
  • Messer, J. (Producer). (2016). It's Not Just Me [Motion Picture; Sound design by James, S.]. Perth: Independent.
  • Coates, E., Aldum, N., Johnston, S., Holmes, L. & James, S. (2016). Rumblestrip.
  • Coates, E., Aldum, N., Johnston, S. & James, S. (2016). Eternal Boglap.
  • Aldum, N. & James, S. (2016). Stephenson-Hepburn Memo (Trolley).
  • Johnston, S. & James, S. (2016). TITLE (Breath).
  • Aldum, N. & James, S. (2016). Clustertruck.
  • Coates, E., Aldum, N., Johnston, S & James, S. (2016). Slushbox (Tunnel).
  • Coates, E., Aldum, N., Johnston, S & James, S. (2016). Totem (Tower).
  • James, S. (2016). [Untitled @ State Library of WA]
  • James, S. (2015). Kinabuhi | Kamatayon for reyong and bonang gamelan and live electronics (Commissioned by Louise Devenish).
  • James, S. (2015). Existence Éphémère for flute, clarinet, viola, cello, vibraphone, laptop, and 8.1 surround loudspeaker array.
  • Pye, D., Bednall, M., & James, S. (2015). Flight for alto saxophone and electronics (quadraphonic).
  • Hope, C. & James, S. (2015). Feather for 24.4 surround sound (3D Ambisonic).
  • James, S. (2015). String arrangements for 'Impermanence ' by Little Death.
  • James, S. (2013). String arrangements for 'Picking Up Speed' by Matt Besch.
  • James, S. (2014). Stratum I for laptop.
  • Coates, E. & James, S. (2014). Kinesphere for 1 video projection and stereo playback (Commissioned by Erin Coates).
  • Coates, E. & James, S. (2014). Thigmotaxis for 1 video projection and 5.1 surround playback (Commissioned by Erin Coates).
  • Coates, E. & James, S. (2014). The Last Climber Alive  Must Keep Herself Fit and Ready for 1 video projection and stereo playback (Commissioned by Erin Coates).
  • James, S. (2014). String arrangements for 'Ava's Song', 'She Knows', and 'Wonder' by Contra.
  • James, S. (2013). The Overview Effect for Laptop (24.4 channel).
    James, S. (2013). N-Dimension for flute, bass clarinet, viola, cello, percussion, and live electronics (8-channel).
  • Coates, E. & James, S. (2013). Merge for 1 video projection and 5.1 surround + 4.0 playback (Commissioned by Erin Coates).
  • James, S. (2013). String arrangements for ' ' by Matt Besch.
  • James, S. (2013). String, brass, woodwind, and percussion arrangements for ' ' by Pyromesh.
  • James, S. (2013). String, brass, woodwind, and piano arrangements for by Roger Gomez. String Arrangements on 'Children of the Night', 'Fall into Grace', 'I Will Call Heaven Home', 'Right Place Right Time', and 'She's Always Landing on Her Feet' by James, S.; Woodwind and Brass Arrangments on 'Slipping into Suburbia', 'Only Lovers Count', 'Radio Dreams', 'Children of the Night', 'Tragic Little Girl', and 'I Will Call Heaven Home' by James, S.
  • James, S. (2013). String arrangements for 'The Egghead Suite', 'Pillowtalk', and 'Reach for the Sauce', and French Horn arrangements for 'Pillowtalk' by King Wasabi.
  • Veldon, H., & James, S. (2012). Flamingos.
  • James, S. (2012). Additive Recurrence for Laptop and Live Feedback.
  • James, S. (2012). [untitled @ The Make It Up Club].
  • ​James, S. (2012). Particle II: Pentode Shards.
  • James, S., Knight, P., & Vickery, L. (2012). [untitled @ Perditempo].
  • James, S. (2012). Veden Ja Tullen Elementit (8-channel)
  • Coates, E. & James, S. (2012). Thirst for 1 video projection and stereo playback (Commissioned by Erin Coates).
  • Hewitt, J., & James, S. (2012). Once Were Zombies Theme Song [Recorded by James, S., & Hewitt, J.]. [Digital Download]. Retrieved from http://oncewerezombies.podbean.com/
  • James, S. (2012). Music for game Shape Off.
  • James, S., et al. (2011). [group improvisation @ Noizemaschin!!].
  • James, S. (2011). Infinity Landscape I for Infinity Machine and live digital feedback systems.
  • James, S. (2011). bitNOT~.
  • ​James, S. (2011). Tangerine.
  • James, S. (2011). Mobile I.
  • ​James, S. (2011). Particle I for Laptop and 2 Ruined Cymbals (4-channel).
  • Hewitt, J., et al. (2011). Men In Chairs.
  • Bannister, J., & James, S. (2010). Bombay Blue.
  • Bannister, J., & James, S. (2010). La Fete.
  • Bannister, J., & James, S. (2010). Place Blanche.
  • James, S. (2009). [untitled @ Createworld] for bass clarinet and live electronics.
  • Veldon, H., Fernandez, J., James, S., & Clemen, H. (2009). Picture This.
  • Veldon, H., Clemen, H., & James, S. (2009). Reach for the Sauce.
  • King Wasabi. (2008). Like a Monkey’s Wedding. [CD]. Perth: Independent Release.
  • ​Pyromesh. (2007). Sound Design on Omnia. [CD]. Australia: Firestarter Records.
  • James, S. (2007). String, brass, and percussion arrangements for ' '  by Pyromesh.
  • Bannister, J., & James, S. (2007). Belleville.
  • Bannister, J., & James, S. (2007). Rue Ballu.
  • Bannister, J., Shawcross, H., & James, S. (2007). Two (You).
  • Bannister, J., & James, S. (2007). Beautiful Sway.
  • Bannister, J., & James, S. (2007). Nancy's Blues.
  • ​Bannister, J., & James, S. (2007). El.
  • Bannister, J., James, S. & Shawcross, H. (2006). French Rain.
  • Bannister, J., & James, S. (2006). Petit Pont.​​
  • James, S. (2005). Lake Taupo.
  • ​James, S. (2004). Transmorphology.
  • James, S., Kenworthy, P., & Veldon, H. (2004). [Improvisations @ Marat/Sade Theatre Production]
  • ​James, S. (2003). 想 (xiǎng).
  • ​James, S. (2003). Like Memories Faded in the Lucid Autumn Sky.
  • ​James, S. (2003). The Cat's Eye Nebula (4-channel).
  • Vouris, P., & James, S. (2003). Friendly Firewire and Other Casualties of Infoland.
  • James, S. (2003). String Arrangements for ' '  by King Wasabi.
  • Veldon, H., Gray, A., Clemen, H., & James, S. (2003). I Can Hear Green Pills.
  • ​Veldon, H., & James, S. (2003). Pisse Froid.
  • Veldon, H., James, S., & Gray, A. (2003). ​Still Life of Limbo.
  • Veldon, H., Gray, A., James, S., & Pooley, S. (2003). ​The Sway of Shrunken Skulls.
  • Veldon, H., James, S., & Gray, A. (2003). ​There is a Prune in My Meal.
  • Vouris, P. & James, S. (2003). Dirty Digits.
  • James, S. (2003). 5 for bass clarinet, french horn, and percussion.
  • James, S. (2003). The Abyss for laptop and no-input mixer (4-channel).
  • James, S. (2002). Noctis Labyrinthus: a labyrintho opaco ad occidentalem montem ultra martem for chamber orchestra.
  • James, S. (2002). Paradox Theorem for large ensemble.
  • James, S. (2002). Inside a Box.
  • James, S. (2001). EXT IV for guitar, keyboard, bass, and drum kit.
  • James, S. (2001). The Realisation that was Everything and that Nothing Ever Was.
  • James, S. (2000). Negative Tendencies for solo piano.
  • James, S. (2000). Terminal Voltage.
  • James, S. (2000). Kosmische Musik for solo performer (clarinet and percussion).
  • James, S. (2000). Temperaments for percussion quartet.
  • James, S. (1998). Unstable Equilibrium for string quartet.
  • James, S. (1998). Piano Sonata No. 1.
  • Vukevic, M., & James, S. (1997). Prom Queen.
  • James, S. (1997). Seven Short Piano Pieces for solo piano.
  • James, S. (1996). 地球、太陽、そして人 for percussion trio.
  • James, S. (1996). Olaris for violin, viola, and 2 cellos.
  • James, S. (1994). Composition for Solo Trombone and Orchestra.
  • James, S. (1993). Void for alto saxophone, piano, and synthesizer.